Some people design and construct unique environments in which to live. Some write to generate unique worlds in which readers can dwell. Some compose song or dance where audiences can imagine worlds in which to reside. I paint to create earth-bound worlds reflecting my hope humanity sees our inseparable link to all else.
My worlds are inspired by detailed observations of humanity, society, and local, city, county, state, and national parks we all share. My paintings invite viewers to adventure and commune with all that is non-human, to recognize our responsibility to ALL people, to Earth, and to pause in our dominance-entitlement thinking. Our protected parks represent to me the highest optimism of humanity's ability to value, share, and honor all things human and non-human. These preserved natural regions provide me my spirituality.
Here I see the wonder of creation; the struggle to survive and the joyous moment when struggling becomes flourishing.
I never tire of the subject or substance of the natural world. I paint trees but see the forest. I never stop thinking; no painting is done mechanically or by formula; every brush stroke is added thoughtfully; and I approach each painting subject with reverence.
The subject of all things natural is not part of my origin. It is the opposite. I was urban born and grew up in one of the most humanly diverse and dense areas of the country— in Washington D.C. I was impacted by political states and actions, by legislation and judgments, and by inner city sociology. I have seen too much and not enough. I stand for and speak for justice and equality. The Smithsonian was (and is) one of my most beloved friends and mentor. I moved to Cleveland more than one-half a lifetime ago.
I am strongly connected to Cleveland. I treasure the authenticity of Clevelanders, and value the balance between the city, people, and land. It is home to me on all levels.